BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:STANDARD DTSTART:20251026T020000 RDATE:20260329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20261025T020000 RDATE:20270328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20271031T020000 RDATE:20280326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20250423T090000 RDATE:20251026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260329T030000 RDATE:20261025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20270328T030000 RDATE:20271031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:d497119f72c84478f370179e9f2314e7 CATEGORIES:Journées d’étude, Séminaire du CREM CREATED:20260118T143744 SUMMARY:World Amplification International Study Day LOCATION:MSH Mondes (bât. Weber)\, salle 2 (RDC) - 200 avenue de la République\, Nan terre\, \, 92000\, DESCRIPTION:\n \nOrganized by Pierre Prouteau (LAMC & EASt/ULB, CREM, CASE)\nDoes t he sound of the world tend to become always more amplified? Why does this f eeling stays on the mind like an earworm, sometimes with delight, often wit h a negative value attached to it – the nuisance of noise. How has this pot entially universal tendency to enhance amplification been reinvigorated by electroacoustic? The objective of this study day is to address electroacous tic amplification in its physiological, acoustic, aesthetic, philosophical, technical, moral dimensions—is the pleasure of some, the noise of others, and how is the occupied “volume” negotiated? And its afferent political dim ension. The idea is to examine the definitions of sound intensity, its effe cts on audience perception, and how electroacoustic amplification has impac ted already-existing repertoires, and contributed to create new ones. Can s ound systems be a weapon in the media arena? As a weapon of the weak or an instrument of domination?\nProgram9h30-10h Coffee\nI. Musicians and amplifi cation10h-10h30 Abderraouf Ouertani (member CUNTIC, Univ. of Tunis) What am plification requires: The Impact of Amplification on Oud Practices (and its study)\n10h30-11h Sarah Benhaim (Lecturer Univ. of Lorraine) Extreme liste ning: sounds and amplification in noise music\n11h-11h30 Coffee\nII. Theori es and measures of amplification (1)11h30-12h Mukul Menon (predoc, Univ. Tü bingen) Modulating Religiosity: Qualified Amplification of Sounds, Ideas, a nd Practices \n12h-12h30 Helma Korzybska (S2HEP, Univ. Lyon 1, member LESC/ CNRS, Univ. Paris Nanterre) Redefining “noise”. Amplifications, modulations and redefinitions of auditory perception through cochlear implants\n12h30- 14h Lunch Break\nII. Theories and measures of amplification (2)14h-14h30 Ca rola Lorea (Professor Univ. of Tübingen) On mantras, picnic parties and car horns: towards a South Asian sonic theory of amplification as auspiciousne ss\n \nConclusive remarks\n14h30-15h Pierre Prouteau (LAMC, EASt/ULB, CREM, CASE) What is an "amplified society" ?\n15h-16h Collective discussion and end of study day\n \nAbstractsAbderraouf Ouertani (member CUNTIC, Univ. of Tunis) What amplification requires: The impact of amplification on oud prac tices (and its study)\nThis presentation will describe the impact of the wi despread use of electric amplification in the case of the oud, between cons traints (sound degradation, feedback) and advantages (new sounds, going bey ond the strict framework of chamber music). It will also be an opportunity to discuss the place of socio-technical phenomena related to electric ampli fication in music studies and to problematise some key concepts in ethnomus icology such as ‘instrument’, “music” and ‘musician’.\nSarah Benhaim (Lectu rer Univ. of Lorraine) Extreme listening: sounds and amplification in noise music\nConsidering loud sound objects in the field of music invites us to take an interest in the technical means and technologies used to amplify mu sical productions, but also in musical genres that place particular importa nce on sound volume in their creative process and listening modalities. Thi s is the case with noise music, an experimental music that emerged in the e arly 1980s, which is unique in that it is characterised by noise-based mate rial and sound diffusion conditions that are often considered extreme. I wi ll examine how noise artists and listeners perceive noise and high-volume a mplification aesthetically and sensorially, based on interviews and recordi ngs from a field study conducted in Paris. After a brief review of the cent rality of noise in noise music, I will explain how amplification constitute s a noisy mediation from the point of view of instrumental performance, bef ore showing how it plays a major role in live listening by promoting an imm ersive and ecstatic listening experience.\nMukul Menon (predoc, Univ. Tübin gen) Modulating Religiosity: Qualified Amplification of Sounds, Ideas, and Practices\nSound in the context of public, communal, and private piety is l inked to mediation with the more-than-human and the inscription of identity , social relations, and associations with the past. Amplification as a tool and a method of augmenting such processes is especially evident in religio us cultures that are based on what has been termed ‘acoustic piety’, that i s, religiosity significantly produced, interpreted, and perceived through s ound and in sonic terms. What do differences in sonic and cultural amplific ation of religious practices in a hierarchical and stratified social enviro nment indicate about underlying social phenomena? To explore this idea, thi s paper takes as a case study the popular practice of recitations of the 16 th-century text, Addhyātma Rāmāyaṇam Kiḷippāṭṭ, a regional vernacular retel ling of the religious epic Rāmāyaṇa in Kerala, South India. Using ethnograp hic and archival data, it looks at how, through the amplification of recita tional practices and ancillary activities- including onsite live and playba ck performances, congregational sonic acts, public sermons, and political s peeches in urban and rural contexts- particular communities, socialities, a nd spaces are delineated. Modulations in how ideas and sounds are expanded indicate particularities of cultural transformations and continuities. whic h are expressed, shared, and felt, but also creatively deployed by social a gents.\nHelma Korzybska (S2HEP, Univ. Lyon 1, member LESC/CNRS, Univ. Paris Nanterre) Redefining “noise”. Amplifications, modulations and redefinition s of auditory perception through cochlear implants\nIntroducing neurotechno logies into the bodies and perception of people who have lost the ability t o hear raises numerous technical, cultural and ethical questions (Mills 201 2, Friedner and Helmreich 2012, Lloyd & Bonventre 2020, Bonventre et al . 2023, Kecman et al. 2026), nuancing widespread notions of human augmentat ion. The learning and rehabilitation process following the surgical implant ation is long and strenuous, leaving people with sounding worlds they often find difficult to interpret and to incorporate. Not only do individuals ha ve to deal with day-to-day technical issues and sensory fluctuations, but t hey also must learn to manage the cultural gap with the newfound perception .\nUsing cochlear implants requires different types of adjustments and nego tiations, of sensory thresholds, somatic modes of attention, as well as exp ectations… If “augmenting” perception doesn’t usually translate in a melior ative sense, some kind of enhancement does operate here. What kinds of ampl ifications or intensifications are produced or enabled through these stimul ation devices? How are perception and experience amplified in this context? \nThe technological design and implantation and rehabilitation protocols le ad to very specific ways of heightening sensations and modes of attention. This communication proposes to offer insights into the complexity of equipp ing perception with technological devices, by focusing on the semantic, sen sory, and affective redefinitions of “noise”, as revealed through the elect rode calibration process and negotiations between patients and speech thera pists/audiologists observed in a cochlear implantation service in France.\n Dr. Carola Lorea (Professor Univ. of Tübingen) On mantras, picnic parties a nd car horns: towards a South Asian sonic theory of amplification as auspic iousness\nBased on extensive ethnographic research on mantras and sacred so und practices in India, this paper develops a preliminary theory of amplifi cation as auspiciousness. Drawing on sonic ethnography, I approach amplific ation not primarily as a technical operation, but as a culturally and ritua lly charged modality of sharing auspiciousness in space. I first demonstrat e how amplified sound is widely associated with safety, joy, the assertion of presence, life energy, and positive force. Through everyday and festive soundscapes—such as picnic-season loudspeaker cultures and the affective se nsorium of vehicular honking—I show how loudness and sonic expansion are so cially experienced as protective, enlivening, and affirming.\nThe paper the n moves beyond strictly audible sound to explore forms of non-electroacoust ic amplification of unheard auspicious sounds. Focusing in particular on sp inning and other kinetic practices, I examine how motion itself amplifies m antras—understood as sacred, efficacious formulas—by engaging agentive elem ents such as wind, fire, electricity, and the human voice. Here, amplificat ion is not only a matter of volume, but of circulation, repetition, and sca ttering into space, underscoring the inseparability of sound, movement, spa ce, and felt vibration. By bringing together loudness, motion, and mantra p ractice, this paper traces the contours of a broader South Asian sonic ideo logy in which amplification emerges as a central mode of producing auspicio usness and of making place.\n X-ALT-DESC;FMTTYPE=text/html:

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Organized by Pi erre Prouteau (LAMC & EASt/ULB, CREM, CASE)

Does the sound of the world tend to become always more amplified? Wh y does this feeling stays on the mind like an earworm, sometimes with delig ht, often with a negative value attached to it – the nuisance of noise. How has this potentially universal tendency to enhance amplification been rein vigorated by electroacoustic? The objective of this study day is to address electroacoustic amplification in its physiological, acoustic, aesthetic, p hilosophical, technical, moral dimensions—is the pleasure of some, the nois e of others, and how is the occupied “volume” negotiated? And its afferent political dimension. The idea is to examine the definitions of sound intens ity, its effects on audience perception, and how electroacoustic amplificat ion has impacted already-existing repertoires, and contributed to create ne w ones. Can sound systems be a weapon in the media arena? As a weapon of th e weak or an instrument of domination?

Program

9h30-10 h Coffee

I. Musicians and amplification

10h-10h30 Abderraouf Ouertani (member CUNTIC, Univ. of Tunis) What amplification requires: The Impact of Amplification on Oud Practi ces (and its study)

10h30-11h Sarah Benhaim (Lecturer Univ. of Lorrai ne) Extreme listening: sounds and amplification in noise music

11h-11 h30 Coffee

II. Theories and measures of amplification (1)

< p>11h30-12h Mukul Menon (predoc, Univ. Tübingen) Modulating Religiosit y: Qualified Amplification of Sounds, Ideas, and Practices 

12h-12h30 Helma Korzybska (S2HEP, Univ. Lyon 1, member LESC/CNRS, Univ. Paris Nanterre) Redefining “noise”. A mplifications, modulations and redefinitions of auditory perception through cochlear implants

12h30-14h Lunch Break

II. Theories a nd measures of amplification (2)

14h-14h30 Carola Lorea (Profes sor Univ. of Tübingen) On mantras, picnic parties and car horns: towards a South Asian sonic theory of amplification as auspiciousness

 

Conclusive remarks

14h30-15h Pierre Prouteau (LAMC, EASt/ULB, CREM, CASE) What is an "amplified society" ?

15h-16h Collective discussion and end of study day

&n bsp;

Abstracts

Abderraouf Ouertani (member CUNTIC, Univ. of Tunis) What amplification requires: The im pact of amplification on oud practices (and its study)

This presentation will describe the impact of the widespread use of electric amp lification in the case of the oud, between constraints (sound degradation, feedback) and advantages (new sounds, going beyond the strict framework of chamber music). It will also be an opportunity to discuss the place of soci o-technical phenomena related to electric amplification in music studies an d to problematise some key concepts in ethnomusicology such as ‘instrument’ , “music” and ‘musician’.

Sarah Benhaim (Lecturer Univ. of Lo rraine) Extreme listening: sounds and amplification in noise music

Considering loud sound objects in the field of music invites us to t ake an interest in the technical means and technologies used to amplify mus ical productions, but also in musical genres that place particular importan ce on sound volume in their creative process and listening modalities. This is the case with noise music, an experimental music that emerged in the ea rly 1980s, which is unique in that it is characterised by noise-based mater ial and sound diffusion conditions that are often considered extreme. I wil l examine how noise artists and listeners perceive noise and high-volume am plification aesthetically and sensorially, based on interviews and recordin gs from a field study conducted in Paris. After a brief review of the centr ality of noise in noise music, I will explain how amplification constitutes a noisy mediation from the point of view of instrumental performance, befo re showing how it plays a major role in live listening by promoting an imme rsive and ecstatic listening experience.

Mukul Menon (predoc, Univ. Tübingen) Modulating Religiosity: Qualified Amplification of Sounds, Ideas, and Practices

Sound in the context of public, commun al, and private piety is linked to mediation with the more-than-human and t he inscription of identity, social relations, and associations with the pas t. Amplification as a tool and a method of augmenting such processes is esp ecially evident in religious cultures that are based on what has been terme d ‘acoustic piety’, that is, religiosity significantly produced, interprete d, and perceived through sound and in sonic terms. What do differences in s onic and cultural amplification of religious practices in a hierarchical an d stratified social environment indicate about underlying social phenomena? To explore this idea, this paper takes as a case study the popular practic e of recitations of the 16th-century text, Addhyātma Rāmāyaṇam Kiḷippāṭṭ, a regional vernacular retelling of the religious epic Rāmāyaṇa in Kerala, South India. Using ethnographic and archi val data, it looks at how, through the amplification of recitational practi ces and ancillary activities- including onsite live and playback performanc es, congregational sonic acts, public sermons, and political speeches in ur ban and rural contexts- particular communities, socialities, and spaces are delineated. Modulations in how ideas and sounds are expanded indicate part icularities of cultural transformations and continuities. which are express ed, shared, and felt, but also creatively deployed by social agents.

Helma Korzybska (S2HEP, Univ. Lyon 1, member LESC/CNRS, Univ. Paris Nanterre) Redefining “noise”. Amplifications, modulations and redefinition s of auditory perception through cochlear implants

Introduci ng neurotechnologies into the bodies and perception of people who have lost the ability to hear raises numerous technical, cultural and ethical questi ons (Mills 2012, Friedner and Helmreich 2012, Lloyd & Bonventre 2020, B onventre et al. 2023, Kecman et al. 2026), nuancing widespread notions of h uman augmentation. The learning and rehabilitation process following the su rgical implantation is long and strenuous, leaving people with sounding wor lds they often find difficult to interpret and to incorporate. Not only do individuals have to deal with day-to-day technical issues and sensory fluct uations, but they also must learn to manage the cultural gap with the newfo und perception.

Using cochlear implants requires different types of a djustments and negotiations, of sensory thresholds, somatic modes of attent ion, as well as expectations… If “augmenting” perception doesn’t usually tr anslate in a meliorative sense, some kind of enhancement does operate here. What kinds of amplifications or intensifications are produced or enabled t hrough these stimulation devices? How are perception and experience amplifi ed in this context?

The technological design and implantation and reh abilitation protocols lead to very specific ways of heightening sensations and modes of attention. This communication proposes to offer insights into the complexity of equipping perception with technological devices, by focus ing on the semantic, sensory, and affective redefinitions of “noise”, as re vealed through the electrode calibration process and negotiations between p atients and speech therapists/audiologists observed in a cochlear implantat ion service in France.

Dr. Carola Lorea (P rofessor Univ. of Tübingen) On mantras, picnic parties and car horns: towar ds a South Asian sonic theory of amplification as auspiciousness

Based on extensive ethnographic research on mantras and sacred sound practices in India, this paper develops a prelimin ary theory of amplification as auspiciousness. Drawing on sonic ethnography , I approach amplification not primarily as a technical operation, but as a culturally and ritually charged modality of sharing auspiciousness in spac e. I first demonstrate how amplified sound is widely associated with safety , joy, the assertion of presence, life energy, and positive force. Through everyday and festive soundscapes—such as picnic-season loudspeaker cultures and the affective sensorium of vehicular honking—I show how loudness and s onic expansion are socially experienced as protective, enlivening, and affi rming.

The paper then moves beyond strictly audible sound to explore forms of non-electroacoustic amplification of unh eard auspicious sounds. Focusing in particular on spinning and other kineti c practices, I examine how motion itself amplifies mantras—understood as sa cred, efficacious formulas—by engaging agentive elements such as wind, fire , electricity, and the human voice. Here, amplification is not only a matte r of volume, but of circulation, repetition, and scattering into space, und erscoring the inseparability of sound, movement, space, and felt vibration. By bringing together loudness, motion, and mantra practice, this paper tra ces the contours of a broader South Asian sonic ideology in which amplifica tion emerges as a central mode of producing auspiciousness and of making pl ace.

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