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UID:2505c27f387084659ec0d0ca58d82f8e
CATEGORIES:Séminaire du CREM, CREM
CREATED:20220711T110916
SUMMARY:Visualising Musical Cultures: From Analysis to Public Ethnomusicology 
LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9
 2000\, France
DESCRIPTION:With Marco Lutzu*\nDealing mainly with unwritten music, ethnomusicologists 
 have developed various systems of graphic representation of music. Not only
  music itself but also different aspects of musical cultures have been desc
 ribed through images since the origins of the discipline. Over the years, b
 oth static and dynamic images have been used for various purposes: analysin
 g musical performance, describing rituals or the making process of musical 
 instruments, presenting the research results to a generic public, and so on
 .\nThe seminar aims to discuss theoretical issues and practical examples fo
 cusing on the graphic representation of musical cultures based on my 20-yea
 rs research experience in Sardinia, Cuba and Equatorial Guinea.\n*Marco Lut
 zu is Research Associate of Ethnomusicology at the University of Cagliari. 
 He has carried out fieldwork in Sardinia, Cuba, and Equatorial Guinea, focu
 sing on the relationship between music and religion, improvised poetry, hip
  hop culture, and performance analysis.\nHe is the scientific director of t
 he Encyclopedia of Sardinian Music (L’Unione Sarda, 2012), and co-edited th
 e volume Investigating Musical Performance: Theoretical Models and Intersec
 tions (Routledge 2020). He is the scientific director and co-designer of va
 rious multimedia museums and exhibitions on Sardinian traditional music and
  improvised poetry, including the Museo Multimediale del canto a tenore (Bi
 tti). As visual ethnomusicologist he directed more than 20 documentaries on
  the main topic of his research.\n
X-ALT-DESC;FMTTYPE=text/html:<img src="https://lesc-cnrs.fr/images/vstoichita/Seminaire_Lutzu_2022.JPG" 
 width="300" height="300" alt="Seminaire Lutzu 2022" style="margin-right: 10
 px; margin-bottom: 10px; float: left;" /><p><strong>With Marco Lutzu*</stro
 ng></p><p>Dealing mainly with unwritten music, ethnomusicologists have deve
 loped various systems of graphic representation of music. Not only music it
 self but also different aspects of musical cultures have been described thr
 ough images since the origins of the discipline. Over the years, both stati
 c and dynamic images have been used for various purposes: analysing musical
  performance, describing rituals or the making process of musical instrumen
 ts, presenting the research results to a generic public, and so on.</p><p>T
 he seminar aims to discuss theoretical issues and practical examples focusi
 ng on the graphic representation of musical cultures based on my 20-years r
 esearch experience in Sardinia, Cuba and Equatorial Guinea.</p><p>*<strong>
 Marco Lutzu</strong> is Research Associate of Ethnomusicology at the Univer
 sity of Cagliari. He has carried out fieldwork in Sardinia, Cuba, and Equat
 orial Guinea, focusing on the relationship between music and religion, impr
 ovised poetry, hip hop culture, and performance analysis.</p><p>He is the s
 cientific director of the <i>Encyclopedia of Sardinian Music</i> (L’Unione 
 Sarda, 2012), and co-edited the volume <i>Investigating Musical Performance
 : Theoretical Models and Intersections</i> (Routledge 2020). He is the scie
 ntific director and co-designer of various multimedia museums and exhibitio
 ns on Sardinian traditional music and improvised poetry, including the <i>M
 useo Multimediale del canto a tenore</i> (Bitti). As visual ethnomusicologi
 st he directed more than 20 documentaries on the main topic of his research
 .</p>
DTSTAMP:20260519T161801
DTSTART;TZID=Europe/Paris:20221017T100000
DTEND;TZID=Europe/Paris:20221017T120000
SEQUENCE:0
TRANSP:OPAQUE
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