BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//jEvents 2.0 for Joomla//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VTIMEZONE
TZID:Europe/Paris
BEGIN:STANDARD
DTSTART:20211031T020000
RDATE:20220327T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20221030T020000
RDATE:20230326T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20231029T020000
RDATE:20240331T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20241027T020000
RDATE:20250330T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20251026T020000
RDATE:20260329T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20261025T020000
RDATE:20270328T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:STANDARD
DTSTART:20271031T020000
RDATE:20280326T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:Europe/Paris CET
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20210508T140000
RDATE:20211031T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20220327T030000
RDATE:20221030T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20230326T030000
RDATE:20231029T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20240331T030000
RDATE:20241027T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20250330T030000
RDATE:20251026T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20260329T030000
RDATE:20261025T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
BEGIN:DAYLIGHT
DTSTART:20270328T030000
RDATE:20271031T020000
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:Europe/Paris CEST
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
UID:89a576e3923605428c0a8d3c76f5fd76
CATEGORIES:Séminaire du CREM, CREM
CREATED:20210806T204610
SUMMARY:Sound and the Feeling of Presence, avec Mark Grimshaw-Aagaard
LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9
2000\, France
DESCRIPTION:Over the past couple of decades, my interest in computer game sound has
led me to formulate ideas regarding the role of sound in immersion in compu
ter game worlds, our perception of sound waves, and the broader questions o
f what is sound? and what is presence? In this talk, I pr
ovide a short critique of the standard definition of sound—that sound is a
sound wave—and use this to present the view that sound is a perception; tha
t the sound we perceive is not the sound wave we sense, and, indeed, that p
erceiving sound does not necessarily require the presence of a sound wave a
t all. I then show how sound plays a role in the feeling of presence in vir
tual worlds, highlighting the problem of realism in the design of such worl
ds if current theories on presence in such worlds are to be believed. I con
clude by introducing a conception of presence in the 'real' world that I am
currently developing.
Mark Grimshaw-Aagaard is the
Obel Professor of Music at Aalborg University, Denmark. He has published wi
dely across subjects as diverse as sound, biofeedback in computer games, vi
rtuality, the Uncanny Valley, presence/immersion, and IT systems, and he al
so writes free, opensource software for virtual research environments (WIKI
NDX). Mark is series editor for the Palgrave Macmillan series Palg
raveStudies in Sound, and his books include the anthologies&n
bsp;Game Sound Technology & Player Interaction (IGI Global 201
1) and The Oxford Handbook of Virtuality (Oxford University Press
2014), and, with co-author Tom Garner, a monograph entitled Sonic Virtu
ality (Oxford University Press 2015). A two-volume co-edited anthology
, The Oxford Handbook of Sound & Imagination, was publish
ed in 2019 as was the co-authored The Recording, Mixing & Mastering
Reference Handbook, both from Oxford University Press. He is currentl
y co-editing The Oxford Handbook of Video Game Music & Sound (forthcoming 2023) and, in early 2021, started the project Urban Gr
eening: Ultrasonics and AI for Sustainable Biodiversity in Cities, whi
ch investigates the presence and effects of ultrasound in urban areas.
DTSTAMP:20260428T210750
DTSTART;TZID=Europe/Paris:20220509T140000
DTEND;TZID=Europe/Paris:20220509T160000
SEQUENCE:0
TRANSP:OPAQUE
END:VEVENT
END:VCALENDAR