BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:STANDARD DTSTART:20230311T100000 RDATE:20230326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20231029T020000 RDATE:20240331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20241027T020000 RDATE:20250330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20251026T020000 RDATE:20260329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20261025T020000 RDATE:20270328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20271031T020000 RDATE:20280326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20230326T030000 RDATE:20231029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20240331T030000 RDATE:20241027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250330T030000 RDATE:20251026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260329T030000 RDATE:20261025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20270328T030000 RDATE:20271031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:9a2747bf6df6124dbee96e2d47e77be2 CATEGORIES:Séminaire du CREM CREATED:20230620T143255 SUMMARY:Techniques of Tilawa: The Power of Islamic Vocal Art in an Indian Ocean World, Anne Rasmussen LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9 2000\, France DESCRIPTION:Avec Anne Rasmussen*\n \nAmong scholars and citizens of the Islamicate worl d, Indonesia is renowned for its rich culture of Qur’anic recitation, for i ts multi-tiered system of public and private Islamic education, and since 1 945, the year of Indonesian independence, for its dynamic interplay of reli gion, politics, and social life. Les well-documented are the ways in which Islamic performance – from religious ritual to sacred song to pious pop – s hapes and publicly articulates individual and community identities. Dynamic ally illustrated with materials from over 20 years of ethnographic research in the region, Anne K. Rasmussen introduces and explores the meaning and t he impact of Islamic vocal forms, most of them rooted in tilawa, the recita tion of the Qur’an, with roots that extend deep into Indonesia’s local cult ures and branches that extend across the Indian Ocean.\nAnne K. Rasmussen i s professor of ethnomusicology and Middle Eastern studies at the College of William and Mary where she also director the\nWilliam and Mary Middle East ern Music Ensemble, established in 1994. Past president of the Society for Ethnomusicology (2015-2017), her scholarship and teaching encompass music o f the Islamicate world, with a focus on Indonesia and the Arabian Peninsula , music and community in a multicultural United States, and arts policy and patronage. She is the recipient of four fellowships for research in Indone sia and the Arabian Gulf, and author or co-editor of several books and arti cles on the intersection of religion, gender, and performance in Indonesia, the music of Oman, and music and community in the United States. Anne Rasm ussen blends teaching, research, and performance as a musician in a variety of musical styles. She sings, plays piano, ‘ud, qanun, and riqq, and maint ains a busy schedule of rehearsal and performance with the Middle Eastern M usic Ensemble that she directs and as a soloist and collaborator. This seme ster, she is guest professor at the Sorbonne for the month of March 2024.\n X-ALT-DESC;FMTTYPE=text/html:

seminaire RasmussenAvec Anne Rasmussen*

Among scholars and citizens of the Islamicate world, Indon esia is renowned for its rich culture of Qur’anic recitation, for its multi -tiered system of public and private Islamic education, and since 1945, the year of Indonesian independence, for its dynamic interplay of religion, po litics, and social life. Les well-documented are the ways in which Islamic performance – from religious ritual to sacred song to pious pop – shapes an d publicly articulates individual and community identities. Dynamically ill ustrated with materials from over 20 years of ethnographic research in the region, Anne K. Rasmussen introduces and explores the meaning and the impac t of Islamic vocal forms, most of them rooted in tilawa, the recitation of the Qur’an, with roots that extend deep into Indonesia’s loca l cultures and branches that extend across the Indian Ocean.

Anne K. Rasmussen is professor of ethnomusicology and Middle Easte rn studies at the College of William and Mary where she also director theWilliam and Mary Middle Eastern Music Ensemble, established in 1994. Pa st president of the Society for Ethnomusicology (2015-2017), her scholarshi p and teaching encompass music of the Islamicate world, with a focus on Ind onesia and the Arabian Peninsula, music and community in a multicultural Un ited States, and arts policy and patronage. She is the recipient of four fe llowships for research in Indonesia and the Arabian Gulf, and author or co- editor of several books and articles on the intersection of religion, gende r, and performance in Indonesia, the music of Oman, and music and community in the United States. Anne Rasmussen blends teaching, research, and perfor mance as a musician in a variety of musical styles. She sings, plays piano, ‘ud, qanun, and riqq, and maintains a busy schedule of rehearsal and performance with the Middle Eastern Music Ensemb le that she directs and as a soloist and collaborator. This semester, she i s guest professor at the Sorbonne for the month of March 2024.

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