activités
chercheur invité au critical medialab at Institute Experimental Design and Media Cultures,
2017, ixdm, Bâle
https://criticalmedialab.ch
designer de recherche au médialab de Sciences Po
2015-17, Sciences Po, Paris
http://medialab.sciences-po.fr
co-fondateur d’excellando, un collectif de cinéma documentaire expérimental créé en 2015 avec Alexis de Raphélis.
http://excellando.com
membre du collectif g.u.i de design graphique, d'interaction, éditorial, in situ et performatif depuis 2012.
https://g-u-i.net
formation
SPEAP, master d'expérimentation en arts et politiques.
2015, Sciences Po, Paris
http://blogs.sciences-po.fr/speap
Reflective interaction, étudiant-chercheur en design par la pratique.
2010-14, EnsadLab, Paris
http://reflectiveinteraction.ensadlab.fr
DNSEP, master en design
2010, HEAR (Haute école des arts du Rhin), Strasbourg
https://www.hear.fr
École nationale supérieure d'art et de design de Nancy, département communication depuis 2011.
http://communication.ensad-nancy.eu
semestres, workshops et jury
ANRT, ENSAD Paris, ENSA Limoges, ENSAPC, ENSCI les ateliers, ESADSE-CyDRe / Cité du Design de Saint-Etienne., HEAR (Strasbourg), insitulab, Le Signe - Centre National du Graphisme, offshore school (Shanghai), Parsons The New School for Design (Paris), .vue l’école du web documentaire, Pôle supérieur de design (Villefontaine), Sciences Po/SPEAP (Paris)
Seeking alternatives to polarized debates with the return of wolves to the Montagne Limousine (France), a small group composed of pastoralists, local residents, nature park managers, herders, artists, landscapers, mediators, mid-mountain guides, a mayor, an emergency physician, and ethologists participated in a cultural mediation process led by Quartier Rouge association. Five years of joint experiments, somatic practices, artistic creation, and research created a space for joint transformation, aiming for a culture of cohabitation and mutual regeneration along with wolves at the pastoral scale. Through the adventure of creating situated practices that aim to embody a large diversity of pastoral existence, the group attempts to complement naturalist knowledge and technical approaches with individual, practice and milieu transformations.
Dwelling perspectives seeks to investigate and invent forms of urban dwelling on the level of the body, of gestures of the everyday, with and within the public space of a city. The film attempts to grasp the shape of the city making practice developed in Tainan City.